From the construct of monolingualism to the reality of multilingual practices
DOI:
https://doi.org/10.62701/revsocial.v13.5451Keywords:
dAbstract
This article explores the role of multilingualism, self-translation, and heterolingualism in contemporary literature and their historical significance. In a globalized world, individuals navigate between languages, encouraging the rise of multilingual authors and self-translators. However, traditional literary criticism, rooted in monolingual paradigms, has overlooked these practices. The “myth of monolingualism” is challenged by emphasizing that most societies, texts, and writers are inherently multilingual. A broader understanding of translation is proposed—not as mere linguistic transfer between isolated cultures but as an ongoing process within and between multilingual entities. The article aims to show how self-translation and heterolingualism have been constants in literary history, shedding light on their potential advantages and challenges.
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